New recipes and food news delivered Mondays, All questions answered (satisfaction not guaranteed). Campion makes tapestries out of taboos, both within her narratives and in how she chooses to make her films, whether it be creating an outsider female protagonist in An Angel at My Table or casting America's beloved girl next door Meg Ryan as a sexually expressive character in her unfairly maligned In the Cut. Eternal Sunshine is the best work these two have delivered since early in each of their careers. This film is not rated. But their purpose, finally, is not to traffic either in despair or easy uplift, but rather to write a film essay that takes account of pain, resilience and the sheer strangeness of recent history. Then, one day he spontaneously ditches work and hops the train to Montauk on the far end of Long Island, and there he meets Clementine. Based on Rebecca Miller's recently published book of short stories, "Personal Velocity" tells three tales of women as they escape their current situations. But then I could see it in her eyes, a twinkle of jovial strength that shot straight from her heart and pierced through the ego I had (and that I had expected in her). The collaboration of the co-directors seems to consist precisely of the synthesis between his memories and her eye. The documentary film The Betrayal (Nerakhoon) was directed by Ellen Kuras and Thavisouk Phrasavath. Support the free press, so we can support Austin. Even though I ended up going into the documentary field over narrative filmmaking, my filming and editing are inspired by the wondrous pacing of Old Joy and even her second film, Wendy & Lucy. Nothing beats The Piano, except the absolutely glorious Bright Star: Holly Hunter's epic Michael Nyman-scored tryst in pre-electricity New Zealand vs. the doomed love of a consumptive poet and his muse ... it's a tough call. Oftentimes, love can lead to regret. “Catch-22” is one my four favorite books. Kudos must also go to cinematographer Ellen Kuras and editor Valdís Óskarsdóttir, whose deft work adds so much to the seamlessness of this project. He provides solace to the brokenhearted through a device he’s invented, which, when placed on the head while sleeping and modulated by a trained engineer, can pinpoint and eliminate preselected memories. In the best-case scenario, we learn from the experience and move on. Early on in my college career, I was caught in the crossroads of figuring out if I wanted to study film or broadcast journalism. Those films showcased real-life stories but portrayed through a narrative lens which still makes an impact on my films today. It refers to the actions of Mr. Phrasavath’s father, and also, more obliquely, to the loss of cohesion and identity suffered by exiled Laotians as their children drift into violence and materialism. The film will be directed by Ellen Kuras who was the cinematographer of Kate’s 2004 hit film Eternal Sunshine of the Spotless Mind, which also starred Jim Carrey. Support the Chronicle, Director Diane Paragas blooms in her Austin-made drama, One click gets you all the newsletters listed below, Breaking news, arts coverage, and daily events. We can help. 06, 27, 2020 qyde 588; No Comments. A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Thavisouk Phrasavath and his mother in a scene from “The Betrayal” (“Nerakhoon”), a documentary directed by Ellen Kuras. I maintain a quasi-cultic reverence toward it and for this reason did not plan to watch Hulu’s new small-screen adaptation, directed by George Clooney, Grant Heslov and Ellen Kuras. Ms. Kuras, making her debut as a director, has had a long and distinguished career as a cinematographer (her credits range from Tom Kalin’s “Swoon” to Michel Gondry’s “Be Kind Rewind”), and while “The Betrayal” is in some respects a memoir, it is also a work of visual art. It portrays the epic of a family forced to emigrate from Laos after the chaos of the secret air war waged by the U.S. during the Vietnam War. The result is imperfect, but its roughness is entirely consistent with the way the filmmakers understand the traumatic experiences of displacement, loss and deprivation. That’s the wild premise on which Eternal Sunshine of the Spotless Mind is predicated. After Mr. Phrasavath’s father disappeared into a re-education camp — for a “seminar,” in the chilling local euphemism — Mr. Phrasavath, his mother and most of his sisters and brothers made their way to Thailand and then to the United States, where they were deposited in a tough, gang-ridden section of Brooklyn. I wanted to check it out because I had recently discovered Yo La Tengo (who provided the score) and was obsessed with them in the moment (because who doesn't love the drumming style of Georgia! 1. At first, the method is strangely confusing, but soon the pieces begin amounting to something. She's done mind-blowing work. But what if it were possible to eliminate the regret – and not only that, but extinguish the memory altogether? Movie Review | 'The Betrayal (Nerakhoon)'. Running time: 1 hour 35 minutes. I had started going to SXSW and watching films that inspired and captivated me, but I remembered a film called Old Joy directed by Kelly Reichardt. This was a far cry from "I show up to set and then find where can we cram me under a table, contorted so that I'm not run over by a camera dolly" that I'm used to facing. The Austin Chronicle has been Austin’s independent news source for … It further proves that kindness is a force with which to be reckoned, and to have that ability creates pure art. I swoon for Jane Campion's filmmaking, and so, reader, will you if you are searching for diamonds in the darkness of your television set. A complicated, sometimes tragic chronicle emerges in “The Betrayal,” but the film is driven less by chronology or plot than by the expressive counterpoint of words, music and images. The piece will also include coverage of Ellen Kuras, ASC’s project Chronicle, a “cinematic portrait” currently in progress that explores the Covid-19 pandemic as experienced by people throughout the world. Copyright © 1981-2020 Austin Chronicle Corp. All rights reserved. Kuras spent 23 years chronicling the family's journey in this film. Film shot almost a quarter-century ago flows into more recent images. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands. In these situations, I've determined that my mental Rolodex should identify those filmmakers who I find myself returning to again and again, whose work I always get lost in. The film follows two men who are old friends as they camp out together after not seeing each other for a while. Joel is an average-seeming young man, depressed by the failure of his most recent relationship and schlumpily proceeding through the paces of his life. When Joel discovers what she has done, he decides to have the same procedure performed, and it’s here that things go amiss. In English and Lao, with English subtitles. We drew out a full schematic of the room with character paths and where cameras and I (because I had to hide to run tubing rigs) would be situated. I've worked with numerous amazing women directors in my career, but perhaps one of my favorite stories is from my first meeting with director Ellen Kuras on season 2 of The Son. The romance that blossoms is of the "opposites attract" variety: She provides the color to his pallid existence, and he offers a stability that keeps her from spinning out of control. A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Some middle years are missing, giving the film a haunting sense of discontinuity and intensifying the surprise of its unexpected turns. New recipes and food news delivered Mondays, All questions answered (satisfaction not guaranteed). This Hornet's a cheesy and borderline-boring cream puff of a vigilante. Michel Gondry's latest presents us with an elaborate yet handmade artifice that's thoroughly charming until its color drains away. ... Actually, credit should also be given to cinematographer Ellen Kuras-- and only then does it become time to talk about Carrey and Winslet. Family got you down? The subjects addressed in “The Betrayal (Nerakhoon),” a documentary by Ellen Kuras, could hardly be more enormous: war, revolution, the abandonment of a nation and the scattering of its citizens. I went into her office expecting the usual ... ok, this guy gets shot, where do you want the wound, do we see the exit spray?

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