At Kenyon, I had managed my college radio station and had been news director and done all that stuff. And if you really know the art form, you can learn the rest of it. And then my parents -- I got my parents to let me go, and they were very supportive. And now you can say the rest is history, because Dougy did a great job at that. preparing his classic Main Currents in American Thought, Vernon Leo Marx, Alan Tracthtenberg, R. W. B. Lewis, Roy Harvey Pearce, and functioning, self-sustaining system of like-mindedness) and more like WWWeb: http://myweb.uiowa.edu/rhorwitz. But when you start out, you were the first person in the car, and the last one out. Somehow, and I'm not sure how, I talked my way backstage. NNAMDIDuring your time in New York, you directed episodes of soap operas, such as “Guiding Light,” “Search for Tomorrow” and “As the World Turns.” So, dish for us. Gavin Vine Meme, So, I guess my son really does love me, because he took it down. And at our feet, laid out on the ground, taking a nap, is Howlin' Wolf. MURRAY HORWITZThank you, Kojo. He said, what do you think of Roy Blount? (laugh). HORWITZWell, listeners won't be astonished to know by now that I really was looking for comedy, you know. I knew how to make good radio. HORWITZAnd so we've known him for 20 years. Currently, you devote your time to two part-time projects. But we also wanted them to understand why Olivia de Havilland was important or why, you know, name a great director, you know, Elia Kazan, was important. This is the dress rehearsal of "Ain't Misbehavin'," in this little cabaret. How did your upbringing in Dayton affect your path, creatively? HORWITZWhat got me down here was a job at the National Endowment for the Arts, in what was then the opera musical theater program. Thank you so much for joining us. HORWITZOh, that's a good question. NNAMDIAfter the Cultural Programming Department at NPR was eliminated you went on to become the founding director of the AFI Theater and Cultural Center in Silver Spring. HORWITZI think he spoke Turkish. NNAMDIA few years after "Ain't Misbehavin'" hit the Broadway stage, you decided to move to the D.C. area, and eventually took a position at NPR. But at the ages of, I think, 21 and 22, we decided to become the union shop stewards. I got Kenyon to let me go, which required a vote of the full faculty. And he's got some extraordinary resources, some of her tunes. Charlene Woodard did, but it was like the five fingers of a golden hand. His first success came in 1975, with the Broadway hit The Wiz. And it was about the most pretentious thing you could imagine. HORWITZYes, indeed. Georgia Tech Phone Case, HORWITZAnd I don't remember. It was called "Murray Horwitz on Acting." What is Washington Performing Arts, and what led you there? HORWITZSomebody figured out that, statistically, it was harder to get into that year than Yale Law School, which makes a lot of sense to me, in many ways. Clown college sort of introduced -- it's kind of an audition for Ringling, really, and it was good publicity for Ringling. And while you weren't a cop, you apparently played one on TV. But in the theater, you can't really do that, because people are paying -- things are going by too fast. HORWITZAnd cabaret, by the way, is a really great place to start out in the theater, because if you can make things work in a very tight space, with looking people right in the eye in the audience, then you can do it on Broadway. Brett Kelly Now, Your email address will not be published. He went on to cast a string of long-running musicals and their national tours such as, Grease, Ain't Misbehavin', Dreamgirls, Cats, Miss Saigon, and The Producers. And we had everybody from MC Hammer to Jesse Norman to Wolf Blitzer on the stage, paying tribute to Marion Anderson. And Alex went to Wesleyan University in Connecticut, where eventually, his roommate and one of his best friends was Lin-Manuel Miranda. NNAMDIOn our website, listeners can find a photo gallery of pictures of you, Murray Horwitz, including one of you in your clowning days. Percelle Ascott Height, Until then, thank you for listening. NNAMDIThe conditions for circus performers were not ideal during your time as a clown at Barnum and Bailey. Dan Andriano Facebook, So, I figured, you know, I'm going to be 70 years old next month. As the founder of the "Chicago School" of tenor sax, he performed with the Woody Herman and Billy Eckstine orchestras.

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