There’s no indication who’s right or wrong, what’s true or false, though by the time Sharon Stone (“Casino”) starts reminiscing about Dylan and the band Kiss, you smell a rat. As a gag, she duplicates his makeup and trademark Rolling Thunder uniform, which comprises a jaunty plumed hat, a flowy neck-scarf and, inexplicably, a rather fancy-looking watch. Everything is in this scene: movies, life, death, friendship, the passing of trains, the passage of time. (A box set of music from the tour is set to be released in conjunction with the movie.) The fictional character of Jack Tanner, the title subject of “Tanner ’88,” Robert Altman’s mock-doc mini-series, pops up here talking about Dylan and Jimmy Carter. It’s unusual to see Scorsese, as a filmmaker, cut up this way, and it’s wonderful. Dylan, in a contemporary interview, says it was a disaster only if you care about money. Not rated. The film features a glorious restoration of previously abandoned footage from the Rolling Thunder Revue as Dylan and company, including violinist Scarlet Rivera and guitarist Mick Ronson, played gigs across America from 1975 to 1976. Martin Scorsese’s delightful and wily possible-documentary Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, made for Netflix, gives us a good half of those Dylans, and probably more. There’s Dylan on stage, his hat festooned with flowers, his face covered in white paint (a tribute to Kiss, he says) and sometimes a plastic mask. It’s part tour diary, part trickster handbook and totally mesmerizing. You can feel that old black magic coursing through both artists as you watch Revue. That means he has never broken a promise, not even when he went electric in 1965, in Newport—hardly a betrayal, that was just Dylan being busy being born. Because even Bob Dylan, man of legend, might now and then need to know what time it is. This title will be released on January 19, 2021. “To shift my consciousness somewhere,” Dylan said, “hopefully to a place that applies to my own personal experience.” It’s stirring how Dylan keeps coming back to film, with its beautiful masks and lies, and it is a gift that Scorsese has been there ready to meet him. The Rolling Thunder Revue was a 1975–1976 concert tour by American singer-songwriter Bob Dylan with numerous musicians and previous collaborators. The most recent entry in this enterprise was the 2005 documentary “No Direction Home,” a gorgeous ramble through the first half of the 1960s. At one point, Dylan and Ginsberg take a break to visit the grave of Jack Kerouac in Lowell, Mass. You see that charge now and then in the footage of applauding crowds, though it’s seen most poignantly in the post-concert tears on a young woman’s face. When Will Trump’s Loss Be Official? Early in the film, an off-camera interviewer asks him about the meaning of the Rolling Thunder Revue. Dylan was interested in how movies stop time, but he also told Ginsberg that he wanted “to be entertained,” adding, “If I see a movie that really moves me around I’m totally astounded.” To watch “Rolling Thunder Revue” is to understand what he meant. Meaning gathers anyway in “Rolling Thunder Revue,” which picks up ideas with each stop and song. Rejoice as Joan Baez sings and laughs and testifies about her old pal Bob. His electronic success in large stadiums left him yearning to play smaller venues to get closer to audiences going through major transitions themselves in an America torn by Watergate, a futile war and a disgraced President. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon Movie News India Movie Spotlight. It’s at once a celebration and a rescue mission (it draws heavily on restored film footage), as well as another chapter in Scorsese’s decades-long chronicling of Dylan. On camera, the Stefan Von Dorp of today moans, groans and complains about what a dreadful, thankless experience it all was. Simultaneously, Scorsese was prepping his volcanic comment on the era with Taxi Driver. It’s the most truthful movie you’ll see in 2019, because it swears on nothing but the Gospel of Bob, and in more than 50 years of singing, songwriting and much, much touring, he has never promised us anything beyond pleasure and illumination. Like the clip from Georges Méliès’s 1896 film “The Vanishing Lady” that opens the “Rolling Thunder Revue,” these more-or-less amusing and distracting fictionalizations dovetail with Dylan’s myriad facades and associative thinking. Share Post. The story of the revue — and of “Renaldo and Clara,” the film Dylan was making during the tour — has been told before in journalistic bits and biographical pieces. That’s barely the beginning of Scorsese and Dylan’s hoodwinkery: The two are like mischievous twins, playing jokes on mom. In This Article: It was a time of transition for the tambourine man. But she understood the part she played perfectly: “Naturally, I was playing a Mexican whore — the Rolling Thunder women all played whores.”. Joining him on the tour, and often onstage, are violinist Rivera (modern-day Bob insists she traveled with a trunk full of mirrors and swords and other weird stuff), poet Ginsberg (a chubby sunbeam, so filled with light he’s got extra to spare), and Dylan’s erstwhile wife and lady love Baez. But Rolling Thunder Revue is a different animal. Here’s Why They’re Wrong, What You Need to Know About the Georgia Senate Runoff Elections, Brianna Keilar Rips Trump and GOP Over Election Hypocrisy: ‘The Ex Who Just Won’t Accept That It’s Over’, Philadelphia Clinched the Election for Biden. What’s he hiding? Dylan will not be romanticized. over 14 albums, for over 10.5 hours of music! Rolling Thunder Revue plays like a great Dylan song, as the artist darts playfully and poetically between fact and fiction. By signing up you are agreeing to our, Mank Is an Ambitious Picture That Walks the Line Between Stunt and Masterpiece, Sign up to receive the top stories you need to know now on politics, health and more, © 2020 TIME USA, LLC. Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese - Criterion Collection . By 1975, Dylan was back at Columbia Records, which released “Blood on the Tracks” that January. Nothing, as Dylan sees it: “You only tell the truth when you’re wearing a mask.” It’s all part of a leap off into the wild blue yonder of no-limits, 1970s imagination. There are 51 other possibilities, and that’s not even including jokers. But there’s a time to surrender to pleasure and illumination, and now is definitely one of those times. The filmmaker looks back on Bob’s legendary 1975 tour and turns a gamechanging moment into a hall of mirrors, Bob Dylan, center, and friends his the stage in the Martin Scorsese documentary 'The Rolling Thunder Revue.'. This disc has not yet been reviewed. Just when you think you have this unruly, untamed phantasmagoria pegged, this unclassifiable documentary/concert film — subtitled “A Bob Dylan Story by Martin Scorsese” — continually pulls the rug from under you. She was part of Dylan’s Revue, too, and shows up in the documentary as the Ingénue — and so it goes. It turns out that Stefan Von Dorp is completely made up—another lie! (The Band’s farewell concert, with Dylan as a guest, is immortalized in Scorsese’s documentary “The Last Waltz.”) The idea for the revue (without the Band), explains the poet Allen Ginsberg while sitting beatifically in a lotus position on a beach — he’s called the Oracle of Delphi here — was to “showcase how beautiful” Dylan is through song and whatnot. Rockumentary-wise, you’ve never seen or heard anything like it. Who can ever believe another word Bob Dylan—or, for that matter, Martin Scorsese—ever tells us? ‘Rolling Thunder Revue’ Review: Scorsese’s Dylan Doc Is Simply Brilliant The filmmaker looks back on Bob’s legendary 1975 tour and turns a gamechanging moment into a hall of mirrors Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. Dylan’s protean identity seems to have inspired Scorsese to fold fictional characters in “Rolling Thunder Revue,” including a supercilious director. And When Will He Be Gone? Some Nashville Stars Are Crying ‘Hypocrisy’ Over Election Celebrations. Bob Dylan, Documentary, Martin Scorsese, Netflix, Rolling Thunder Revue. We want to hear from you! Just about everyone knows Dylan was born in 1941 as Robert Allen Zimmerman, of Minnesota. And why the white makeup, as well as, at one point, an actual see-through plastic mask? Use of this site constitutes acceptance of our, Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese. As present-day Dylan explains, with stellar clarity, the man in the mask is the one who’s going to be telling you the truth. Pennebaker’s 1967 documentary Don’t Look Back, and here he is again, scowling from the stage during the Rolling Thunder performances and also speaking to us in the present day. This chronicle of a rare and marvelous traveling circus, which came and went in a flash just as America was celebrating its 200th birthday, is 100 percent believable, which is not the same as 100 percent true. Want more Rolling Stone? She’s blown away, and you know how she feels, particularly when Scorsese lets a song play in full, keeping the focus on Dylan, alone or with his band. Dylan doesn’t talk much in the offstage scenes, just here and there, hmm-mming and yeah-yeahing, like when Patti Smith talks about Rimbaud and Superman. © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. In her memoir, Baez described what happened on stage as “a mad circus” (approvingly, it seems) but called Dylan’s film a “monumentally silly project.” She had a role in it as the Woman in White, who falls in love with a character played by Harry Dean Stanton. “Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese” finally has a release date. Why would Dylan tell such an outlandish lie? I don’t remember a thing about Rolling Thunder—it happened so long ago, I wasn’t even born.”, Liar, liar, pants on fire. He skitters through a honky-tonk version of “A Hard Rain’s Gonna Fall”; he croons “A Simple Twist of Fate” at what appears to be a senior center. Why would he not? In his new documentary, Martin Scorsese revisits a famous Bob Dylan tour that included Joan Baez and Allen Ginsberg. Only one of its songs, “A Simple Twist of Fate,” is in “Rolling Thunder Revue,” which includes many more from “Desire,” the album he finished before the tour started in Plymouth, Mass.
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