[31] His trust, however, was misplaced: His contract was up for renewal at the time, and because his friend and co-star Carole Lombard had shrewdly and successfully taught him how to play hardball with the studio bosses, he was not the pliable pushover of old. "[26] This wig has been cited by some as being the picture's biggest flaw claiming that it looks too "fake". The car runs a red light and finally settles in front of a dark building. To Wilder's astonishment, Chandler was right, and in the end, the movie's cynical and provocative dialogue was more Chandler and Wilder than it was Cain. [16] Chandler also did a lot of fieldwork while working on the script and took large volumes of notes. Publicité | Dear Keyes: I suppose you’ll call this a confession when you hear it. This is actually a perfect example of a film noir with dark stories that are criminally manipulated. He's edgy and sharp, and amoral, although he hides it well from his boss. a bewildered Wilder replied. It fades to a deserted street in Los Angeles, at night time. She shoots him in the shoulder. Double Indemnity By this time, Lipstone had an arm around DeSylva, asking unctuously "I always find you the right guy for the job, Buddy, don't I? As in Greek theatre, there is an idea in Film Noir of the inevitability of faith and that sooner or later man will meet his faith and whatever that might bring him. For one thing, the ending was overhauled. Today seeing it, the fact it was in black and white just is not in the forefront of your mind. Neff warns Phyllis that pursuing the insurance claim in court risks exposing the murder. American Film Institute included the film on these lists: The Writers Guild of America ranked the film's screenplay the 26th greatest ever. Scarlett Johansson Explains Why We'll Find Out, Eva Longoria apologises after saying Latinas are the ‘real heroines’ of Biden election win, Upcoming Scarlett Johansson Movies: What's Ahead For The Marvel Star, Lost in Translation: The Sounds of Silence, Hollywood’s Fascination with Silence and Horror, Cinematic Vampires: From Shadows to Spotlight, Maternal Horror Films: Understanding the ‘Dysfunctional’ Mother. Ce que l'on appellera par la suite le classicisme hollywoodien, dont ce film relève, n'est que le résultat d'une usine à produire du rêve sur papier glacé, déconnecté de toute réalité sociale. She tries several more times, but the car won't start and the two look at each other in growing panic. I love this movie and have watched it scores of times and it always amazes me how many times he says baby! Want to know who killed Dietrichson?”, “Hold tight to that cheap cigar of yours, Keyes. It depicts visually and psychologically the power of sensuality, sex, hypocrisy and some other qualities existent in a given adult ‘forbidden’ relationship.”. Si vous aimez ce film, vous pourriez aimer ... A la TV lundi 9 novembre : tous les films et séries à voir ce soir, James Bond : non, Lashana Lynch ne remplace pas Daniel Craig, Jurassic World 3 : fin d'un tournage pas comme les autres en temps de COVID. So we just took out the scene in the gas chamber,"[35] despite its $150,000 cost to the studio. The film stars Fred MacMurray as an insurance salesman, Barbara Stanwyck as a provocative housewife who wishes her husband were dead, and Edward G. Robinson as a claims adjuster whose job is to find phony claims. "Sometimes the rushes were so dark that you couldn't see anything. Indeed, the ad averred, the words Since You Went Away had become "the four most important words uttered in motion picture history since Gone with the Wind. The way they do things. It is essential to understand the characteristics of film noirs aesthetic to appreciate Double Indemnitys richness. It was perfect, except that it wasn’t, because you made a mistake, just one tiny little mistake. Lire ses 1 221 critiques, Suivre son activité "I never dreamed it would be the best picture I ever made," he said. Parfaitement écrit et interprété. The third aspect referred by Chandler is that the story must be realistic in setting, atmosphere and character. Popular Soundtracks. Pretty, isn’t it?”. And the reason why we shan’t call Walter and Phyllis lovers is because it is quite clear that none of them is in love with the other. Luise Rainer!"[66]. Ocean's 8 sur TF1 : Matt Damon coupé au montage ! Ce qui frappe d'emblée dans Double Indemnity, c'est la qualité des dialogues, comme souvent avec Wilder. However, the ‘real realism’ that marks the difference in “Double Indemnity” comes from the exploration of a set of different immaterial ideas and psychological elements. In Keyes’ office, it is very difficult to distinguish between Walter and his shadow, as if they had become equals. With all that being said, the conclusion to infer is that “Double Indemnity” not only helped to establish a number of thematically and formal Film Noir conventions, but also made of Walter Neff and Phyllis Dietrichson role models for the sub-genre’s characters. touch of evil, maltese falcon, the big sleep, wrong number, gun for hire, the killing, blood simple (recent noir). Yet Walter and Phyllis both use speech for different purposes, which reveals their diverging intentions. Grand film. At the beginning of the film, sun covers the city of angels and shines through the blinds of the insurance’s offices and the Dietrichson’s house. "You couldn't have a more meaningful scene between two men", Wilder said. Want to share IMDb's rating on your own site? [54], Other locations around Los Angeles used in the film were an apartment building at 1825 N. Kingsley Drive in Hollywood where Walter Neff lived and the building on the southwest corner of Hollywood Blvd. [12], Cain forever maintained that Joseph Breen owed him $10,000 for vetoing the property back in 1935 when he would have received $25,000.[13]. What is the place of psychological horror and thriller in a world gone ‘mad’? [56] The film then opened nationwide on July 6, 1944,[57] and was an immediate hit with audiences – despite a campaign by singer Kate Smith imploring the public to stay away on moral grounds. Have to admit, I’m sort of obsessed with the use of the voiceover/flashback mechanism in film noir, and Double Indemnity in particular. He convinces Nino to instead telephone Lola. "[30] But Wilder pestered him about it every single day – at home, in the studio commissary, in his dressing room, on the sidewalk – until he simply wore the actor down. )[29], Wilder finally realized that the part should be played by someone who could not only be a cynic, but a nice guy as well. A New York City advertising executive goes on the run after being mistaken for a government agent by a group of foreign spies. Neff is a bachelor and the presence of this somewhat mysterious woman compels him to follow his need of wanting her. Wilder made the film, in part, "to explain Chandler to himself. Thus, it is used as a narrative feature which puts aspects of the story and of the characters into visual form. Keyes suspects foul play on Phyllis' part because he thinks she was having an affair. While more neo-noir than regular-noir, Chinatown is a fine, fine film, an almost perfect mystery film : ). [61], Howard Barnes at the New York Herald Tribune was much more enthusiastic, calling Double Indemnity "one of the most vital and arresting films of the year", and praising Wilder's "magnificent direction and a whale of a script". From what I remember, the film tries to win the audience’s sympathy for the insurance salesmen who refuses to take responsibility for his actions. L'astuce 2.0 de Rian Johnson, Split sur TMC : pourquoi Bruce Willis apparaît à la fin du film. Type characters are those that in literature serve as symbols of something for instance as the choir in Greek Theatre serves as the voice of faith. Check. Yet Double Indemnity adds in an extra layer of complexity – lighting also reveals the hidden evils within the characters. The way Billy staged it and John Seitz lit it, it was all one sensational mood. Les meilleurs films de l'année 1944, My favourite from old Hollywood. MacMurray felt safe about his acquiescence because Paramount, which had him under contract and had carefully crafted his good guy image, would never let him play a "wrong" role. When it came to picking the killer, you picked the wrong guy, if you know what I mean. [5], The film's critical reputation has only grown over the years. Screenfice covers the latest Film & TV news. [58], Reviews from the critics were largely positive, though the content of the story made some uncomfortable. Dune, James Bond 25, Cruella, Suivre son activité November 6, 2020 Jon Bourne – Marlin 2019; November 5, 2020 Travelogue Volume 1 Soundtrack By Michael Giacchino; November 5, …
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