if(typeof(jQuery)=="function"){(function($){$.fn.fitVids=function(){}})(jQuery)}; To date, Morrison remains the only woman ever nominated for a Best Cinematography Oscar, though Kuras was nominated for Best Documentary after taking a detour to co-direct ”The Betrayal” in 2008, and the Gotham Awards saluted her entire oeuvre in 2006. Google Map. It’s an anecdote that unlocks an incredible insight to Kuras: A cinematographer whose work can feel so raw, but underneath it there is an expertly drawn blueprint making it possible. One of few female members of the American Society of Cinematographers, she is a pioneer best known for her work in Eternal Sunshine of the Spotless Mind (2004). Influencers: Ellen Kuras Shows that Shooting from a Blueprint Can Capture Any Emotion Rachel Morrison sings the praises of Ellen Kuras, one of IndieWire's craftspeople shaping the art of … Yet there’s no award that could fully encapsulate the career one of the greatest cinematographers working today, and has been for almost 30 years. “Her work really spoke to me and spoke to the masses, and I liked that the work wasn’t gendered.”. All Rights Reserved. Ellen Kuras, Cinematographer: Eternal Sunshine of the Spotless Mind. Website Ellen Kuras is an American cinematographer whose body of work includes narrative and documentary films, music videos and commercials in both the studio and independent worlds. Name: Ellen Kuras DOB: 10 July 1959 Place of birth: Cedar Grove, New Jersey, United States Occupation: Cinematographer, film director. The movie relies on the lifetime of Lee Miller, the Vogue cowl mannequin turned World War II correspondent. So when a period drama starring Winslet came across Kuras’ desk – never mind the fact that it was Alan Rickman’s first time directing since The Winter Guest in 1997 – it was only natural for the two women to come together again and create beautiful art. Any use of materials on this website including modification, distribution or re-publication is strictly forbidden. ); Sign Up: Stay on top of the latest breaking film and TV news! Legal © 2018 Outsider. Any use of materials on this website including modification, distribution or re-publication is strictly forbidden. While the energy of her work was always electric, there is also something incredibly sculpted about her work regardless of budget. One of few female members of the American Society of Cinematographers, she is a pioneer best known for her work in Eternal Sunshine of the Spotless Mind (2004). Morrison also singled out the scope of Kuras’ work with Lee, which epitomizes her flexibility. © 2020 Outsider. Whether as a cinematographer or a director, Ellen creates visually stunning work and has become one of the industry’s most respected champions of diversity. If you’d like to discuss a project or script... know more about our directors and our work... or just have a good old chat, please get in touch. All Rights Reserved. She has collaborated with directors such as Michel Gondry, Spike Lee, Sam Mendes, Jim Jarmusch, Rebecca Miller, Martin Scorsese and more. It has a much bigger feel than what it actually was, with in-camera trickery that would now be done with a lot of effects.”. The result not only mirrors the film’s themes; it becomes the primary storytelling device. Ana Bogdan The Talks. In a film about the erasing of memories, the lighting itself has a fragility in its washed-out beauty that creates a visual texture. “There’s a resourcefulness, she’s just one of those people always making lemonade,” said Morrison, who highlighted how inspirational it was to see what Kuras did with an early DV camera on Miller’s highly acclaimed “Personal Velocity.” For Miller that unique and diverse set of skills was what helped lift her first feature, “Angela.” “Ellen understood the spiritual needs of the film, as well as the technical needs,” said Miller. In 2008, she released her directorial debut, The Betrayal (Nerakhoon), which she co-directed, co-wrote, co-produced and shot. She is the three-time winner of the Award for Excellence in Dramatic Cinematography at the Sundance Film Festival, for her films Personal Velocity: Three Portraits, Angela and Swoon, which was her first dramatic feature after getting her start in political documentaries. Kuras’ cinematography is the glue holding together writer Charlie Kaufman’s narrative insanity and director Michel Gondry’s ephemeral visual poetry. Yet like most Kuras-philes, the film Morrison points to as the pinnacle of her ingenuity is “Eternal Sunshine of the Spotless Mind”: “[It] broke every rule and did it with such elegance and poetry. In 2010, she won a Primetime Emmy Award for Exceptional Merit in Non-Fiction Filmmaking for the film. Errol Morris, in discussing the unique and highly stylized multi-perspective interviews in “Wormwood,” credited Kuras’ engineering background (she graduated with an engineering degree) and how she figured out how to create a set up that somehow kept 10 cameras — shooting the interview from vastly different angles — and numerous lights out of frame, while also allowing for the flexibility to move two cameras in reaction to what was being said. Sign up for our Email Newsletters here. Terms & Conditions. Ellen is one of the most talented and celebrated cinematographers in the world. Stay on top of the latest breaking film and TV news!
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