It’s a choppy watch — anyone prone to seasickness should steer clear — but there are some humorous gems among the carnage. Dua Lipa, Coldplay’s Chris Martin, Bastille and more came together to record the Foo Fighters’ 2002 hit single, “Times Like These.”. He stood, collapsed theatrically, got back up, and then launched into an excoriating 25-song set. Register with your social account or click here to log in. Many point to Nirvana’s MTV Unplugged set or Live at the Paramount as the band’s greatest moment caught on film, but there’s a transfixing recklessness to Live at Reading that makes it essential viewing. A star-studded cover version of the Foo Fighters' Times Like These has topped the UK singles chart after a close battle for the number one slot. The full roster of artists set to appear on the Live Lounge recording of Times Like These is below: Some consider this the best concert film ever, and it’s hard to argue otherwise. There’s a feeling of celebration from the off, with Scorsese deciding to place footage of the encore as his first scene. But it’s Queen Bey who remains the magnetic focal point, as shots of the utterly enraptured crowd remind us. Canadian-American rockers The Band clearly had friends in high places, and when they came together to play this farewell gig in San Francisco, they called in a few favours — Bob Dylan, Ronnie Wood, Joni Mitchell, Van Morrison, Ringo Starr, Neil Young, Muddy Waters, Neil Diamond and more all turned up. Alas, this wasn’t a quiver from the little known Islington-Haringey fault line — it was a Madness gig in Finsbury Park. Across 137 minutes, we see each of her sides: the human, the superhuman, and the leader both political and artistic. Each artist will record their parts from home, with Grammy Award-winning producer Fraser T Smith — who has worked with Stormzy, Adele and Dave in the past — putting it all together. James Brown is the iridescent showman, Bill Withers is supremely understated, and BB King delivers lick after devastating lick. The impact as they landed resonated through the London Basin below the park, causing the ground to shake for miles around. The song will be released at midday on Thursday April 23, with the accompanying video getting its first play on BBC One’s Big Night In later that evening. TODAY (4/23), 23 artists are teaming up to cover FOO FIGHTERS "Times Like These" as part of a Special BBC RADIO 1 STAY AT HOME LIVE LOUNGE at noon. It’s a psychedelic trip, layering footage of Björk’s 2013 gig at Alexandra Palace with post-production visuals of twitching starfish, underwater tendrils and microbial waltzes. It makes for an immersive watch, and were it not for the occasional cheer from the crowd, you might easily forget that this is a concert at all. Dua Lipa, Chris Martin and 21 other musicians to release charity cover of Foo Fighters' Times Like These, {{#singleComment}}{{value}} comment{{/singleComment}}{{^singleComment}}{{value}} comments{{/singleComment}}, UB40 released a charity cover of Lean On Me, Michael Ball also collaborated with Captain Tom Moore. Track listings UK CD1 "Times Like These" An acoustic cover version of the song appears in a Sprint/T-Mobile commercial as of March 2020. Rumours swirled prior to the show — supposedly the band was about to crumble under the weight of Kurt Cobain’s addictions. Could it be an earthquake? Love you all.”. Homecoming is Beyoncé’s grandest, greatest statement. On the evening of August 8, 1992, tower blocks in north London began to shake. The concert was almost forgotten in the shadow of the boxing match, which took place five weeks later, but Soul Power brings it back into the light it deserves. This was Nirvana at their hulking best — Cobain’s insolence is thrilling, and Dave Grohl is Herculean on drums. Above all, though, it’s a chance to reminisce on a rare gathering of some of the 20th century’s greatest musicians. The single, which is being released as part of the BBC’s popular Live Lounge series, will feature contributions from 23 different artists, including Yungblud, AJ Tracey, Mabel, Dermot Kennedy and Bastille. The Washington Nationals Radio Network plays part of the track as the bridge to the post-game show after any game the Nationals win. As the opening thud of One Step Beyond kicks in, the crowd begins to skank en masse, and the seismic energy barely dips throughout the set. Stop Making Sense is part rock concert, part theatre performance, part arthouse cinema, masterfully directed by the Oscar-winning Jonathan Demme, whose cameras are all-seeing but never intrusive. Despite its star-studded cast, there are some moments of endearing fallibility here, such as when Eric Clapton suffers a malfunctioning guitar strap midway through a solo. Dua Lipa, Chris Martin, Ellie Goulding and others will come together to record a charity cover of the Foo Fighters song Times Like These. The 200-strong crew of performers, handpicked by Beyoncé from historically black colleges and universities, are captured in all their explosive energy. At one point, a fan documents a toilet break during an extended instrumental jam, and at another the camera zooms in on an unwitting Ben Stiller as he mouths along to the lyrics. It’s all captured with minimal production, left gloriously raw. DUA Lipa and Dave Grohl led the stars singing It's Times Like These for BBC's The Big Night In. In 1974, the city of Kinshasa in Zaire (now the Democratic Republic of Congo) was gearing up to host the Rumble in the Jungle. "Times Like These" was featured in the 2007 annual WWE Tribute to the Troops. It’s hard to describe just how wondrously good Talking Heads are here — the vigour of Life Of During Wartime, the flooring romance of This Must Be The Place — but, luckily, we don’t have to. The festival, known as Zaire 74, had to proceed as planned, and is the subject of this vivid documentary. It comes after UB40 released a charity cover of Lean On Me in aid of the NHS, while Michael Ball also collaborated with Captain Tom Moore for a rendition of You’ll Never Walk Alone. The film captures all that and more. It’s all choreographed to a tee, with the stage building gradually around Byrne as other musicians emerge one by one. The film is a heartening reminder of the weird, brilliant things that can happen once we’re all allowed back within an arm’s length of each other — with apologies to the neighbours. Still, it would fall flat were it not for the brilliance of the band. They catch frontman David Byrne’s eccentric sparks, and steal glances at genuinely joyful moments shared by his Talking Heads bandmates. She was the first black woman to top the bill at the festival, and quotes from black cultural icons such as Nina Simone and Toni Morrison intersperse the masterfully edited footage. In a peculiar twist of luck, one filmer even picks out what seems to be a young, pre-fame Donald Glover enjoying himself in the crowd. The film covers her two nights headlining Coachella and the eight months of fervid preparation that preceded it. Watching the footage now, it all makes sense. In the lead up to the Beastie Boys’ sold-out homecoming concert at Madison Square Garden in 2004, the band handed out 50 camcorders to friends and fans with tickets to the show. They even enlisted Martin Scorsese, who shot the whole thing with typical elegance. Dua Lipa, Chris Martin, Ellie Goulding and others will come together to record a charity cover of the Foo Fighters song Times Like These. The theory goes that, as the ska band launched into a song, the audience (“35,000 slightly overweight blokes”, as frontman Suggs later put it) all jumped at once. Captured in 1992 as they headlined the English festival, it was the last time Nirvana would ever play here. Residents panicked; police received reports of shattered windows. We’re let into Beyoncé’s creative process, as she obsesses over both minute details and the overarching message of the show. Still, there is plenty to enjoy in the musical side of things, from the excellent 24-strong female voice choir to the innovative on-stage instruments, many of which were invented just for the album. Biophilia Live is superb not because it is a film of a great concert, but rather because it makes the most of being a film. The heavyweight bout between Muhammad Ali and George Foreman was to be accompanied by a music festival but, a week before the fight, Foreman injured his eye, postponing the match. The instructions were simple: film everything and give us the camcorders back afterwards. Dua Lipa said: “I am so proud that we’ve been able to come together to record this track and I can’t wait for everyone to hear it. It’s fascinatingly candid, with snippets of Ali discussing the racial politics of the day, but best of all is, of course, the music. The frontman responded with a smirk, arriving on stage in a wheelchair and dressed in a hospital gown. All profits from the release will be split equally between BBC Children in Need and Comic Relief, both of which are providing support to those affected by Covid-19 during the pandemic. Thinking of everyone around the world at this difficult time. Footage from each device was then stitched together for a raucous, lo-fi thrill ride of a film. We take a look at who else was involved in this charity cover of the Foo Fighters classic.
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