In 1910 Cossington Smith enrolled in drawing classes at the studio of Antonio Dattilo-Rubbo, where she … Virginia Spate, Art Monthly Australia, 'Amazing Grace: Thoughts inspired by the Grace Cossington Smith exhibition at the National Gallery of Australia, Canberra', pg. 20 April 1892. Among these very early works on paper are images … 1Daniel Thomas Grace Cossington Smith Sydney: Art Gallery of New South Wales 1973 p.6 (exhibition catalogue). For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. She progressed beyond her early art training with Dattilo-Rubbo, and realised her potential as a painter of colour and light, structure and rhythmic pattern. 61-77, Sydney, 1990, 72 (illus. Bruce James, Grace Cossington Smith, 'The new science of colour', pg. → A student of Dattilo Rubbo, Cossington Smith was quick to absorb modernist ideas and in 1915 exhibited 'The Sock Knitter', described by Daniel Thomas as 'perhaps the first fully Post-Impressionist work painted in Australia'. Sea wave • 1931. Grace Cossington Smith AO OBE (20 April 1892 – 10 December 1984) was an Australian artist and pioneer of modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Signed l.l. 15; 'The Art of the Year' issue, 1967 Acquisitions, Sydney, 1967, 21. cat.no. Australia, 54.0 x 69.5 cm board; 72.1 x 87.6 x 3.5 cm frame. Court Métrage Short Films. 20 Dec 1984. ), 506, 519. Read the latest visit information, including hours, 1892 O'Keeffe, Preston, Cossington Smith: Making Modernism: Deborah Hart, Grace Cossington Smith, 'A distinctive vision', pg. Search for Matching Provenance *** *** Portrait in Room Oil, signed and dated lower right, 34 x 21.7 cm *** *** Roseville Water (C.1945) Oil on board, signed lower left, 30.5 x 25.5 cm . 26], Sydney, 1928, (illus.). / Grace Cossington Smith / 50 Gns.' Daniel Thomas, Art Gallery of New South Wales Quarterly, 'Grace Cossington Smith', pg. 3Daniel Thomas Grace Cossington Smith: A life: From drawings in the collection of the National Gallery of Australia Canberra: National Gallery of Australia 1993 p.10. Closed Good Friday & Christmas Day, Update from the Gallery regarding COVID-19, Read the latest visit information, including hours, Eighteenth annual exhibition of the Contemporary Group (1943), Favourites: Margaret Olley and Barry Humphries choose from Australian collections (2000), Australian icons: twenty artists from the collection, Queensland Art Gallery/Gallery of Modern Art, Brisbane. Things on an iron tray on the floor, Grace Cossington Smith (1928), Grosvenor Gallery, Sydney, 23 Jul 1928–04 Aug 1928, Eighteenth annual exhibition of the Contemporary Group (1943), Blaxland Gallery, Sydney, 06 Jul 1943–16 Jul 1943, Acquisitions 1967, Art Gallery of New South Wales, Sydney, 06 Mar 1968–01 Apr 1968, Favourites: Margaret Olley and Barry Humphries choose from Australian collections (2000), S.H. Catalogue entry appears in inserted list to printed catalogue. Turramurra plate no. 22-30, Canberra, Aug 2005, 26. Grace Cossington Smith AO OBE (20 April 1892 – 20 December 1984) was an Australian artist and pioneer of modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Grace Cossington Smith Famous works. Grace Cossington Smith is one of Australia’s most celebrated 20th century painters. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Rosemary Lloyd, Shimmering in a transformed light: writing the still life, 'Cataloguing the world', pg. Grace Cossington Smith - Biography. The years from 1926 until the mid 1930s were the most important in Grace Cossington Smith's artistic life. She progressed beyond her early art training with Dattilo-Rubbo, and realised her potential as a painter of colour and light, structure and rhythmic pattern. Grace Cossington Smith (1892-1984) was born at Neutral Bay in Sydney. Search for Matching Provenance *** *** Portrait in Room Oil, signed and dated lower right, 34 x 21.7 cm *** *** Roseville Water (C.1945) Oil on board, signed lower left, 30.5 x 25.5 cm . 26. → Denise Mimmocchi, Sydney moderns: art for a new world, 'Still-life as laboratory table', pg. Added: 3 Oct, 2020 Liberty [2019] … 5Bruce James Grace Cossington Smith Sydney: Craftsman House 1990 p.67. Painter, born in Neutral Bay, Sydney. 4. The years from 1926 until the mid 1930s were the most important in Grace Cossington Smith's artistic life. Grace Cossington Smith: a retrospective exhibition (2005): Sydney Moderns, Art Gallery of New South Wales, Sydney, 06 Jul 2013–07 Oct 2013. / Grace Cossington Smith / 50 Gns.' verso (on label), 78.5 x 58 cm . Examples of her work are held by every major gallery in Australia. 4ibid. While this work represents domestic items in a still-life arrangement, the true subject of the painting is the interplay between colour, form and light. She was surrounded by women in her family from birth, and this in part fostered a confidence to carry out what she enjoyed. ), 90. p.29. 27-52, Ithaca, 2005, 30, 31 (illus. It presents radiating, concentric forms in luminous colour. Black Mountain • 1931. Grace Cossington Smith b. Ernest Smith's brother was private chaplain to Queen Victoria at Osborne, Isle of Wight, his sister an Anglican nun. Contact Us, Officer of the Order of the British Empire, Grace Cossington Smith Gallery (Wahroonga, Sydney). "Grace Cossington Smith (1892-1984), artist, was born on 20 April 1892 at Cossington, Neutral Bay, Sydney, second of five children of Ernest Smith, London-born crown solicitor, and his wife Grace, née Fisher, daughter of the rector and squire of Cossington, Leicestershire. ), 126. figure no. The Bridge in Curve • 1930. 198-213, Sydney, 2013, 196 (colour illus., detail),198 (colour illus. … This affection is reflected in her earliest known works including portraits of her mother and of other family members. ), 75, 77. figure no. She boarded at Westwood in Point Piper then finished her schooling at Abbotsleigh (1908-1909), where she studied art with the encouragement of the headmistress and where the Grace Cossington Smith Gallery stands today. Daniel Thomas., Art and Australia, 'Grace Cossington Smith', Sydney, Mar 1967, 305, 308 (illus.). p.8. → Examples of her work are held by every major gallery in Australia. Grace Cossington Smith eventually left Cossington for a nursing-home and was visited daily by her brother's children. Not dated. 32. Door into the garden • 1947. She was surrounded by women in her family from birth, and this in part fostered a confidence to carry out what she enjoyed. Her art seems to express the spirit of Sydney, its big-city energy and also its lyrical bushland and its flowers and its light. Art Gallery Rd, The Domain 2000Sydney, AustraliaInfo line 1800 679 278, See opening hours and admission 1-{{getCurrentCount()}} out of {{getTotalCount()}} LOAD MORE. Grace Cossington Smith was close to her immediate family and retained a deep attachment to her home environment throughout her life. H. de Berg, interview with Grace Cossington Smith (transcript, 1965, National Library of Australia). 26-55, Canberra, 2005, 32, 35, 36 (colour illus. Bruce James, Australian painters of the twentieth century, 'Grace Cossington Smith', pg. Grace Cossington Smith AO OBE (20 April 1892 – 10 December 1984) was an Australian artist and pioneer of modernist painting in Australia and was instrumental in introducing Post-Impressionism to her home country. Sydney Ure Smith and Leon Gellert (Editors), Art in Australia [series 3, no. Examples of her work are held by every major gallery in Australia. 2ibid. She died at Roseville on 20 December 1984 and was cremated. Grace Cossington Smith Grace Cossington Smith was born on the 20th of April 1892 in Neutral Bay, Sydney. The family had a penchant for nicknames and playfully referred to themselves as the Smithkins. ), 199, 203, 315, 324. As Thea Proctor wrote, Cossington Smith's 'lovely and individual colour sense' was achieved with paint 'applied once and not touched again … [with] a mat-dry surface, freshness and vitality'. Grace Cossington Smith (1892-1984), artist, was born on 20 April 1892 at Cossington, Neutral Bay, Sydney, second of five children of Ernest Smith, London-born crown solicitor, and his wife Grace, née Fisher, daughter of the rector and squire of Cossington, Leicestershire. A brilliant colourist, she drew her subject matter from the familiar surroundings of her home and her experience of Sydney city life, which she transformed into … Sydney The close-knit … Ernest Smith's brother was private chaplain to Queen Victoria at Osborne, Isle of Wight, his sister an Anglican nun. View all 39 artworks Related Artworks. 40-51, Sydney, 2000, 47 (colour illus.). 510-521, Sydney, Jan 1970, 505 (cover illus. Ervin Gallery, The Rocks, 15 Jan 2000–27 Feb 2000, Australian icons: twenty artists from the collection, Art Gallery of New South Wales, Sydney, 04 Aug 2000–03 Dec 2000. We acknowledge the traditional custodians of the Country on which the Gallery stands, the Gadigal of the Eora Nation, and recognise their continuing connection to land, waters and culture. She grew up as the second child of well-off English immigrants, and they were able to afford her education at Abbotsleigh. An important early exponent of modernism in Australia, her work formed part of the first significant wave of Australian responses to European post-impressionism. New South Wales - Margaret Olley and Barry Humphries, Favourites: Margaret Olley and Barry Humphries choose from public and private collections, Sydney, 2000. 28-31, Sydney, Nov 2005, 29 (colour illus.). Grace Cossington Smith was born on the 20th of April 1892 in Neutral Bay, Sydney. Trees • 1927. Deborah Hart, Look, 'Grace Cossington Smith: looking bakc at a life of colour and light', pg. corner, black ink "G Cossington Smith". Eastern Road, Turramurra • 1926. Tags: Artist Australian Born in 1892 Died in 1984 verso (on label), 78.5 x 58 cm . She grew up as the second child of well-off English immigrants, and they were able to afford her education at Abbotsleigh.
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